隨著漫畫的社會地位提升,同人誌與隨之興起的同人文化也褪去過往被汙名化與妖魔化的負面標籤,逐漸以健康、正當、快樂的青少年休閒娛樂的方向被媒體所再現。然而細究這些「正面」的媒體報導內在,卻隱含了主流社會價值與優勢意識形態的運作軌跡。研究者奠基於長期參與同人文化、以及實際進入同人誌即售會─開拓動漫祭(Fancy Frontier)執行運作的雙重經驗,透過對同人歷史的編年紀錄整理、媒體新聞文本的檢視分析與媒體實踐的操作與反思,共同勾勒出當今台灣同人文化所面臨的社會處境,即同人文化如何被媒體再現與如何被社會看待的問題。期望藉由這樣的歷史書寫與再現分析過程,提供同人文化欲突破社會所框架的侷限時,一個深切的反省與觀照。
With the arisen social status of Comics, Doujinshi along with it’s result─”Doujinshi Culture” has got rid of the tag of negative and meaningless. It was represent by the media with healthy, positive, joyful teenager’s recreation. Although it seems a gratifying trend, you will find the trace of the social mainstream value and dominating ideology. This research was based on a long period of participation in doujinshi culture and I was worked as a core staff of Taiwan biggest Doujinshi event─Fancy Frontier. From the chronicle of Doujinshi’s history and the examining of news and media practice, this research attempt to express the situation in society of Doujinshi Culture.