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有聲的文學史-「聲音」與中國文學的現代性追求

A Voiced Literary History: The Voice and the Pursuit of Modernity in Chinese Literature

摘要


本文旨在討論「聲音」如何介入了新文學的發展,特別是在新詩的創作和理論建構上,促成它與傳統文學的辯證發展;而它又如何與現代的國語文教育相生相成,共同形成文學史上「現代的聲音」。全文的問題意識在於:過去談文學史,大多聚焦在書寫的文字部分,但新文學發展過程中,「聲音」其實是關鍵因素。它包括了語調節奏的變化,以及語系的選擇。本文以朱自清、朱光潛等人移植英倫經驗,在北京組織「讀詩會」為討論起點,全文主要包括以下四部分:一、從倫敦到北京:「讀詩會」與現代詩歌的音聲實驗;二、從無聲到有聲:「讀詩」與現代詩歌論述的開展;三、「聲音」與文學的現代性追求:新與舊,言與文;四、現代的聲音:朗誦詩、「國語的文學」與現代中國的國語文教育。

關鍵字

朱自清 朱光潛 聲音 讀詩會 新文學 文學史

並列摘要


The goal of this article is to discuss how the voice intermediated in the development of New Literature (i.e. vernacular literature) in China, and, especially with regard to the creation of new poetry and the establishment of new poetry theory, how it brought about a dialectical development between new and traditional literature. The article will also discuss how voice and modern Mandarin language and literature education promoted each other and formed a ”modern voice” within the literary history of China. The main idea around which the entire article centers is this: in the past, when discussing literary history, most scholars focused on the written aspect of the writing process. However, the voice was actually a key factor within the development of new literature, and it involved changes in tone and rhythm, as well as language choices. This article takes as a starting point for discussion Zhu Ziqing 朱自清 and Zhu Guangqian's 朱光潛 transplantation of their experiences in London and England to China, and the Poetry Recitation Society they consequently established in Beijing, and is divided into four sections:1) From London to Beijing: The Poetry Recitation Society and Experiments with Voice in Modern Poetry;2) From Voiceless to Voiced: Poetry Recitation and the Development of A Modern Poetry Discourse;3) The Voice and the Pursuit of Modernity in Literature: New and Old Literature, Spoken Words and Text;4) The Modern Voice: Recited Poetry, Mandarin Literature, and Mandarin Language and Literature Education in Modern China.

參考文獻


漢鄭玄注、唐賈公彥疏、清阮元校(1989)。三十經注疏‧周禮注疏。臺北:藝文印書館。
清姚鼐、清陳用光編(1992)。惜抱軒尺牘。北京:中國書店。
(2007)。中國近代孤本小說精品大系。上海:復旦大學出版社。
三聯書店編輯部編(1980)。聞一多紀念文集。北京:北京三聯書店。
高蘭編(1987)。詩的朗誦與朗誦的詩。濟南:山東大學出版社。

被引用紀錄


柳雨青(2017)。「聲」與「文」:晚清民初的六朝想像〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201700481
梅家玲(2020)。現代大學與國文教育-以四○年代大一國文教材選本為起點的論析臺大中文學報(70),191-242。https://doi.org/10.6281/NTUCL.202009_(70).0005

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