This paper argues that news is a practice of reality-production in modernity. It gives contour to modernity by consistently reproducing the meaning of reality. The production and reproduction of reality (modernity) and its antithesis (anti-modernity) represent a process through which news is characterized in its historical evolution. Nevertheless, the contemporary journalism study as an academic inquiry fails to come to term with this transformation due to the fact that it positions itself within the project of modernity. This paper proposes a perspective of anti-modernity to the study of journalism to deconstruct the relationship of news to reality. It argues that the meaningful struggle of news between the (re)production of modernity (reality) and the production of anti-modernity (anti-reality) represents a dynamic process through which news should be manifested. In addition, it interprets the aesthetics of intuition in the epistemology of news of anti-modernity.