The position of this research is that the study of television drama and trendy drama in Taiwan ignores textual analysis at present. Nevertheless, textual specificity is the key point to comprehend the popularity of television drama and trendy drama. It adopts 'The Popular Arts Approach' suggested by British researcher J. McGuigan, choosing The Kiss of Toast Man as the research case. The Kiss of Toast Man was the remarkable trendy drama in the earliest embryonic stage that Taiwanese television station started self-producing this dramatic genre in 2001. This research deconstructs the text of The Kiss of Toast Man with three dimensions, including visual aesthetics, psychoanalysis, and cultural codes. Based on these dimensions, it interprets this trendy drama how to appropriate, plagiarize, choose and organize the structural elements of text from the everyday life of youth viewers, and how to construct and represent realism for them.