中國傳統擊樂素材於華人現代擊樂作品之運用

The Use of the Materials of Chinese Traditional Percussion in the Contemporary Percussion Compositions of Chinese Composers

徐啟浩(Chi-Hao Hsu)

指導教授 ： 朱宗慶

國立臺北藝術大學/音樂學院學術論文/音樂學系博士班/博士(2016年)

摘要

本論文有史、有論、有樂器介紹、有作品分析。內容撰述到中國銅鈸與京劇大鑼的樂器特質及音色運用、醒獅鑼鼓素材的運用、京劇武場鑼鼓素材的運用，以及其它民間鑼鼓素材的運用。在末兩章撰及傳統擊樂藝術的傳承與發展、華人作曲家的創意表現、當代藝文團體的貢獻，和筆者對本論文議題的未來展望。

本論文將中國傳統擊樂史知識和擊樂作品分析知識一體化，希望運用這樣的互補關係來增強本論文的應用價值。從整體編排上講，中國傳統擊樂文化史的部份，其內容以古代傳統為主，同時也在整體的比例上，以不小的篇幅介紹了一部份的傳統打擊樂器，以及醒獅鑼鼓、京劇鑼鼓和其他民間鑼鼓在現代的發展。而華人擊樂作品分析詮釋的部份，則突出了「厚今」的傾向，聚焦在現代的華人作品。這樣，從全論的整體結構和內容上看，更具有一種充實感。

至今，音樂學界、作曲界、演奏界對於「中國傳統擊樂素材的運用」此議題的探討熱潮未曾消退過，本論文尚未提及或未深入探討的論點必定不少，還望有關專家學者賜予寶貴的意見，並期待越來越多關於此類的研究發表出台，使中國傳統擊樂素材於華人現代擊樂作品之運用的研究資料更加厚實。

關鍵字

中國傳統擊樂素材 ； 華人現代擊樂作品 ； 中國銅鈸 ； 京劇大鑼 ； 醒獅鑼鼓 ； 京劇武場鑼鼓 ； 中國民間鑼鼓

並列摘要

The thesis contains history, theory, instrument introduction and composition analysis. The content unveils the instrument characteristics and the use of sounds on Chinese Cymbals and Beijing Opera Large Gongs, the use of Chinese Lion Gong Drum materials, the use of Beijing Opera Gong Drum materials and the use of Chinese Folk Gong Drum materials. The last two chapters compose the legacy and development of traditional percussion art, creative expression of Chinese composers, contribution of contemporary art organizations and the future prospect of this thesis by the author.

The thesis integrated the Chinese traditional percussion history knowledge and percussion composition analysis. Wishing to enhance the value of the thesis through this complementary relationship. From the overall arrangement of the thesis, the Chinese traditional percussion history part is mainly based on ancient tradition, also on the overall proportion with regular space which introduces a part of the traditional percussion instruments and the contemporary development of Chinese Lion Gong Drum, Beijing Opera Gong Drum and other Chinese Folk Gong Drum. The Chinese percussion composition analysis interpretation part even highlights the tendency of “Modern” which is focused on the contemporary compositions of Chinese Composers. Thus, this also makes a sense of fulfillment from the point of whole thesis of overall structure and content.

So far, the music educational field, composition field and performance field have not subsided their passion on discussing “The Use of the Materials of Chinese Traditional Percussion”. There’re still certain points of discussion which is not mentioned or deeply discussed in this thesis, so am looking to the experts and scholars to give valuable advice and expect more and more relevant research to be published to fulfill the research information to “The Use of the Materials of Chinese Traditional Percussion in the Contemporary Percussion Compositions of Chinese Composers”.

並列關鍵字

the Materials of Chinese Traditional Percussion ； the Contemporary Percussion Compositions of Chinese Composers ； Chinese Cymbals ； Beijing Opera Large Gongs ； Lion Gong Drum ； Beijing Opera Gong Drum ； Chinese Folk Gong Drum

參考文獻

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朱宗慶。『打擊樂演奏的探討』。臺北市：財團法人擊樂文教基金會，1993。

吳思珊。『擊樂元素在擊樂劇場中的運用』。臺北市：國立臺北藝術大學音樂