本詮釋報告共分為五個章節:第一章緒論、第二章簡介歌劇與音樂劇的演出型態,並做出比較分析、第三章介紹《費加洛婚禮》作曲家和劇作家、以及其劇情內容、第四章敘述蘇珊娜之表演詮釋方法,分析她的內外在性格特性及時代背景、第五章進行蘇珊娜七首選曲的詮釋分析、最後則是結語。 其中本文探討莫札特歌劇《費加洛婚禮》,分析七首有關蘇珊娜的歌劇選曲,有獨唱曲與二重唱曲,按照演出順序分為“Cinque...dieci...venti...trenta”<五…十…二十…三十…>、“Se a caso madama”<如果伯爵夫人>、“Venite...inginocchiatevi”<走過來…跪在這裡>、“Aprite, presto, aprite”<開門,馬上開門>、“Crudel!perchè finora”<妳真殘忍!為什麼讓我苦惱至今>、“Sull’aria”<趁著微風>、“Giunse alfin il momento”<這個時刻終於到來>。
The report is divided to five chapters: Chapter one is introduction; Chapter two is about the performing styles of opera and musical theatre, and then analyzes the difference between them; Chapter three introduces the composer, dramatist and the plot of Le nozze di Figaro; Chapter four describes the methods of Sussana's performance and analyzes her characteristic and background; Chapter five analyzes the seven selected songs of Susanna, in the end of this chapter is conclusion. In this article, I demonstrate Mozart's opera Le nozze di Figaro and analyzes Susanna's seven selected songs, some are solos and some are duet. The songs are in chronological order: “Cinque...dieci...venti...trenta”, “Se a caso madama”, “Venite...inginocchiatevi”, “Aprite, presto, aprite”, “Crudel!perchè finora”, “Sull’aria”, “Giunse alfin il momento”.