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多媒體於常設展之設計、轉譯──以國立臺灣歷史博物館「斯土斯民：臺灣的故事」為例
The Design and Interpretation of Multimedia in a Permanent Exhibition: A Case Study of the Exhibition "Our Land Our People: The Story of Taiwan" at the National Museum of Taiwan History
摘要
博物館在現今社會中有多重的角色及定位，除傳統的研究、典藏、展示及教育功能外，同時也是開放的場域及對話的空間，其中展覽仍是與觀眾溝通的重要媒介；在博物館中，如何運用日新月異的多媒體科技技術來回應其展覽的展示與溝通需求，也是當今重要的議題。本文以國立臺灣歷史博物館2021年進行「斯土斯民：臺灣的故事」常設展更新的多媒體設計規劃作為實務探討之案例，意圖分析展示應用多媒體的時機、場域、類型及其背後轉譯可能會遭遇到的困境，進一步討論歷史類型博物館於概念類型展示中，多媒體的獨特位置，及在虛實整合之中所衍伸出的各種博物館與展覽發展的可能性。
並列摘要
Museums today serve multiple roles and positions in society. In addition to their traditional functions of research, collection, exhibition, and education, they also function as open spaces for dialogue. Exhibitions remain to be a crucial medium for communication with the audience. Moreover, in museums, how to utilize evolving multimedia technology to respond to the display and communication needs of exhibitions is also a significant issue. This paper takes the case of the multimedia design planning following the renewal of the permanent exhibition "Our Land, Our People: The Story of Taiwan" at the National Museum of Taiwan History in 2021 as a practical exploration. The intention is to analyze the timing, contexts, types, and potential challenges of applying multimedia in exhibitions. Furthermore, it discusses the unique position of multimedia in history-based museums during conceptual exhibitions and the various possibilities for museum and exhibition development that arise within the integration of the virtual and the real.