村上春樹作品における中国の記憶－｢中国行きのスロウ･ボート｣『風の歌を聴け』を中心に－

Memories of China in the Works of Haruki Murakami: With a Focus on "A Slow Ship to China" and Listening to the Song of the Wind

林雪星(Xue-Xing Lin)

《台灣日本語文學報》 32期 (2012/12) Pp. 67-92

https://doi.org/10.6205/jpllat.32.201212.04

摘要

Chinese individuals and elements often appear in the works of Haruki Murakami, for example, the three Chinese residing in Japan in ”A Slow Ship to China,” and Jay in Listening to the Song of the Wind, Sherry in ”Green Street of Sidney.” In addition, Murakami writes about memories of Chinese history in Adventure of Finding a Sheep, The Chronicle of A Wound-up Bird, and After the Dark Night. Mr. huziisyouzou once remarked, ”We cannot discuss the literary achievement of Haruki Murakami if we omit the Chinese elements in his works.” Mr. Shibatasyoi, in a comparative study on Haruki Murakami and Soseki Natsume, contends that ”the proportion of Chinese elements in Haruki Murakami's works cannot compare with those of Korea in Soseki Natsume's works. However, that aspects of China often appear in his works often reveals Haruki Murakami's concern. From earlier research, we can see that China is an important element in Haruki Murakami's works and the topic has attracted many scholars. This study will focus on ”A Slow Ship to China” and Listening to the Song of the Wind to discuss the image of Chinese in Haruki Murakami's works and the author's intentions in presenting it in his works.With historical data concerning the relationship of China and Japan as reference, the author of this article will explore the characteristics of those Japanese Chinese or Chinese who resided and grew up in Japan, such as how they repress certain injuries in their unconscious, and how Haruki Murakami presents China and the images of Chinese through textual analysis.

關鍵字

中国 ； 在日中国人 ； 神戸 ； 東京 ； 潜在意識 ； 日中戦争

並列摘要

Chinese individuals and elements often appear in the works of Haruki Murakami, for example, the three Chinese residing in Japan in ”A Slow Ship to China,” and Jay in Listening to the Song of the Wind, Sherry in ”Green Street of Sidney.” In addition, Murakami writes about memories of Chinese history in Adventure of Finding a Sheep, The Chronicle of A Wound-up Bird, and After the Dark Night. Mr. huziisyouzou once remarked, ”We cannot discuss the literary achievement of Haruki Murakami if we omit the Chinese elements in his works.” Mr. Shibatasyoi, in a comparative study on Haruki Murakami and Soseki Natsume, contends that ”the proportion of Chinese elements in Haruki Murakami's works cannot compare with those of Korea in Soseki Natsume's works. However, that aspects of China often appear in his works often reveals Haruki Murakami's concern. From earlier research, we can see that China is an important element in Haruki Murakami's works and the topic has attracted many scholars. This study will focus on ”A Slow Ship to China” and Listening to the Song of the Wind to discuss the image of Chinese in Haruki Murakami's works and the author's intentions in presenting it in his works.With historical data concerning the relationship of China and Japan as reference, the author of this article will explore the characteristics of those Japanese Chinese or Chinese who resided and grew up in Japan, such as how they repress certain injuries in their unconscious, and how Haruki Murakami presents China and the images of Chinese through textual analysis.

並列關鍵字

China ； Chinese residing in Japan ； Kobe ； Tokyo ； unconscious

參考文獻

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日本経済新聞社編(1981)。華僑─商才民族の素顔と実力。日本??新聞社。

川村湊(2006)。村上春樹をどう読むか。作品社。

田中実(1990)。港のない貨物船─『中国行きのスロウボ ト』─。国文学解釈と鑑賞。55(12)

朱建栄(1993)。毛沢東の朝鮮戦争。岩波書店。