泰雅族Qwas Lmuhuw即興吟唱下的歌詞與音樂思維

The Lyrics and Musical Thinking behind the Improvised Singing of Tayal Qwas Lmuhuw

余錦褔(Jin-Fu Yu)

《臺灣音樂研究》 6期 (2008/04) Pp. 31-63

https://doi.org/10.29785/FJMR.200804.0002

摘要

在傳統原住民族群中，泰雅族的「qwas lmuhuw 歌謠」雖不具多樣變化，卻具有從語言衍生的原生特質，具有累積與傳遞整個族群文化的重要功能，是泰雅族歌謠最具代表的傳統演唱方式，不論是曲調旋律或歌詞形式，都有清楚的脈絡可尋。此種音樂雖早被研究者所注意，但截至目前的研究成果，都僅限於歌唱的描述，而缺乏對於整體族人歌唱邏輯與審美觀念的理解，特別是歌詞的運用與編唱語法。例如：歌詞指涉、譬喻式描述、引申意義，單字加入綴音等，以及歌者歌唱行為所衍生的文化意涵等。本論文正是針對研究所缺乏的部分，提出相關報告。

關鍵字

泰雅族 ； qwas lmuhuw歌謠 ； 即興吟唱 ； 綴音

並列摘要

Although the qwas lmuhuw songs of the Tayal tribe didn't have various changes, they are derived from the language and have an important function in preserving and transmitting the ethnic culture. Therefore they represent the most important way of Tayal traditional singing. No matter what the melody or lyrical form, there always is a clear thread of thought. Although scholars have researched these songs, they have so far only concentrated on describing the melody and lack the understanding of the logic and aesthetic notions of the singing, especially the issues concerning the lyrics and the grammar in singing. These issues include the meaning of the lyrics, the metaphorical description which amplifies the meaning, the ornaments added to a single word, as well as the cultural meanings derived from the singers' singing behavior (which expresses those meanings). These are the aspects that this paper proposes to study.

並列關鍵字

Tayal tribe ； qwas lmuhuw song ； improvised singing ； ornamental sounds