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  • 期刊

聯覺共感之美感體現轉化於藝術應用與穿戴實驗

The beauty sense of synesthesia Transformed into art application and wearable experiment

摘要


在感知思維中,通過藝術與設計,創造美感體現。此研究論述根基於聯覺共感,導入聲聽媒介,以自身的情感經驗在通過感官感知冥合於氛圍流轉之間,經由視覺藝術跨域於穿戴思惟中探索,匯集感官之美感共鳴於視覺型態的呈現。設計實驗中先將物理觀念帶入藝術應用,使作品產生和諧性律動,而後回歸至身體感知與身體空間之對應關係,如同感官與感官間的連結通性,實驗中不同媒材之特性賦予穿戴氛圍的流轉,藉由型態提出對「美」的一種詮釋。聯覺共感作為一種藝術應用手法,此研究在於闡述其精神隱喻的不同,以及載體的不同於其它已發表的聯覺藝術型態。經由創作者幻化訊息於視覺語法之中,從抽象的感知元素至具體的素材轉化,將感知所定義的意涵,梳理連結,體現美感新經驗的過程。通過感官觸發對審美型態的感受性,回歸身體空間,轉化至身體與穿戴關係的可持續性面向,作為未來穿戴衍化的探討。

並列摘要


In perceptual thinking, beauty creates through art and design. this study is based on synesthesia by importing audio-visual media. Ambient flow between sensory meditation with its own emotional experience. Through reflections on the trans-domain transformation of visual art into wearable thinking, by sensory resonance aesthetics in visual presentation. The transformation process first brings physics concepts into art applications. Make the work a sense of harmonious flow, and then return to the corresponding relationship between body perception and space. The atmosphere of the work expresses the generality between the senses. the characteristics of different media in the experiment give the circulation of the wearing atmosphere, and interpreting aesthetic experience by the category transformation. Synaesthesia as an art application technique, this research is to explain the difference of its spiritual metaphor, and the carrier is different from other published synesthetic art forms. through the creator's illusion message in visual style, from abstract perceptual elements to concrete material transformation. The process of perceiving the meanings defined, straighten the generality, and embodying the new experience of aesthetics. Sensing the sensibility of aesthetics through sensory triggering, returning to the body space, transforming into a sustainable orientation of body and wear relationships, as a discussion of future wearable.

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