中國現代動畫電影美學特徵初探

王永洪

《兒童文學學刊》 2期 (1999/05) Pp. 179+181-215

https://doi.org/10.6739/ttchl.199905_(2).0009

摘要

動畫電影是電影藝術的一個分支，它與兒童文學更有著緊密的關係，探討動畫電影的美學特徵，不僅是其本身發展的要求，對兒童文學的發展也有促進作用。中國的動畫電影自二十年代誕生以來，在五、六十年代曾取得過令世人囑目的成就，但在理論上卻少有整理者。八十年代以來，中國動畫電影的疲軟，除“硬件”上的原因外，理論的缺乏、觀念的陳舊也是其重要的原因之一。本文認為，動畫電影是與紀錄電影相並立的一種電影藝術形式，是繪畫藝術與電影藝術的有機結合，它的基本美學特徵即“繪畫性”和“化動性”。前者指動畫電影以“繪畫”為原出發點，是動畫電影的根基所在。後者指動畫電影在繪畫藝術形式的基礎上借鑒了電影的表現手法，使原本静止的圖書“活動”起來，從而成為一種較一般的藝術樣式更有表現力的新型藝術形式。

關鍵字

動畫電影 ； 美學特徵 ； 繪畫性 ； 化動性 ； 中國學派

並列摘要

Animation is a branch of film arts. It is closely related to children's literature. Exploring the aesthetic characters of moving pictures is not only a necessity to animation's own development, it also is an enhancement to the development of children's literature. First produced in 1920s, Chinese animation reached outstanding achievement in the world in 1960s. But there is few research in the theory. From 1980s on, Chinese animation began to fade. A major reason is due to the lack of theory support and concept renewal, in addition to equipment causes. It is argued in this paper that animation, like document, is also a form of films; an animation is an organic combination of both the art of pictures and film. Its fundamental aesthetic character lies in the nature of picturing and moving. The former refers to the fact that animation s begin with pictures, which is the basis of animation. While the latter refers to the animation's implementation of movie techniques, which active the original static pictures and becomes another art form that is much full of performance.