论奥古斯丁（不完整的）圣经美学

Augustine's (Incomplete ) Biblical Aesthetics

谢大卫(David Lyle JEFFREY) ； 张思齐(ZHANG Siqi)

《聖經文學研究》 9輯 (2014/08) Pp. 301-329

摘要

奥古斯丁以希伯来思想为根据建立其美学。他把美作为爱的对象，故美与灵寧的进步有关。他论美时频繁引用圣经，并认为对自然的观照是一种预表解经法。他认为美是受造的，神的创世本身就是美。神的美引导人类欣赏世俗的美，因此神的救赎就是美学。他认为各种超理性的观念可以转换，真善美都是上帝的属性。他发展了亚里士多德的模仿说，认为美与艺术家的工作密切相关，但发明和发现不容混淆。理性不创造真，它只是发现真。奥古斯丁的主要美学范畴是真、善、美，以及神的存在，此四元结构之含义是默示的。康德的主要美学范畴是共通感、美、崇高，以及绝对的善，此四元结构之含义是明示的。奥古斯丁的著作贯穿着圣经的辩证法。据此，奥古斯丁认为，每一种美都反射出上帝之美，人类可以抵达世俗美的创造源泉。

關鍵字

奥古斯丁 ； 美学思想 ； 基本特征 ； 系统研究

並列摘要

Augustine bases his aesthetics on Hebrew thoughts. He takes beauty for the object of love, and therefore beauty is linked with the soul's progress. When discussing beauty, he frequently quotes from the Bible, and he thinks that the contemplation of beauty is anagogicus. He thinks beauty is something created, and the Creation itself is beautiful. The divine beauty leads man to enjoying mortal beauty, so the Redemption is aesthetics. He thinks transcendentals are convertible, the true, the good and the beautiful are properties of God. He develops the mimesis of Aristotle. Beauty is connected with the artistic work, but invention cannot be confused with discovery. Reason does not create truth. It only discovers truth. Augustine's main aesthetic categories are the true, beautiful, good and Being, and such a quaternion is tacit. Kant's main aesthetic categories are the agreeable, beautiful, sublime and absolute good, and such a quaternion is explicit. Through all Augustine's writings goes the biblical dialect, by which Augustine thinks that each beauty reflects God' s beauty and man can reach the creative resources of all sorts of mortal beauty.

並列關鍵字

Augustine ； aesthetics ； basic features ； systematic study