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  • 學位論文

空間元素的並列到調和:以日治時期井手薰主導之建築活動為例

The Elements of Space from Juxtaposition to Reconciliation: Take the Architectural Practices Leaded by Ite Kaoru During the Japanese Colonial Period For Example.

指導教授 : 黃蘭翔

摘要


本文企圖由社會氛圍與建築空間產生明顯轉變的日治時期1920~1930年代著手,透過擔任總督府營繕課長與台灣建築會會長的井手薰為引線,針對他所主導的三棟官方公共建築:建功神社、台灣教育會館和台北公會堂,序列化觀察其作品前後關係與轉變,納入社會文化層面之交互影響,並與相關的人物、建築相比較,進行整體性理解和分析,思考建築家如何跨越文化藩籬,由建築的學習模仿到運用、創作的過程。 井手薰在台灣這個殖民特殊場域的建築家生涯,受總督府限制下,亦須顧及台灣有別於日本的風土與文化成分,他如何回應呢?過去被人忽略的繪畫展示空間特色為何?本論文主要利用空間分析和比較的觀點,放入該建築成立的脈絡下,藉由建築與社會脈動進行整體性觀察,凸顯井手薰及其作品以往為人忽略的特點,藉此反映這些日治時期公共建築,在台灣近代建築史發展過程中的積極意義,並深化我們對井手薰和其建築作品的認識。

並列摘要


This thesis attempts to focus on the architecture projects leaded by the Japanese official architect, Ite Kaoru, especially during 1920s-1930s under the Japanese rule, when a specific turn of the socio-cultural atmosphere and architectural space occurred in Taiwan. Three of Ite’s leading architectural practices are emphasized here for their representativeness of this era: Kenko Shrine, Taiwan Educational Institute and Taipei Civic Hall. These three buildings are observed and compared particularly with notice of their interactions with the society, in order to specify their connections and apparent differences. A comprehensive application of spatial analysis is adopted to understand and find out how the architect dealt with the cultural and environmental differences between Taiwan and Japan. As an architect, Ite Kaoru was confined under the colonial official regulation, but he still concerned about the local factors. How did he react to such chasm? What are the critical elements of Ite Kaoru’s works which were overlooked before? Therefore, through this research, certain positive meanings of these public buildings in the development of Taiwanese colonial modern architecture can be reflected, with a deeper understanding about Ite Kaoru and his architectural practices at the same time.

參考文獻


13. 呂紹理,《展示臺灣:權力、空間與殖民統治的形象表述》,台北:麥田出版社,2005。
5. 蔡龍保,〈日治後期台灣技術協會的成立及其島內調查事業─以《台灣技術協會誌》為中心(1936-1940)〉〉,《國史館館刊》,第25期,2010.9,頁37-72。
4. 吳昱瑩,《日治時期台灣建築會之研究(1929-1945)》,臺北藝術大學建築與古蹟保存研究所,2006。
2. 王慧瑜,《日治時期臺北地區日本人的物質生活(1895-1937)》,國立台灣師範大學臺灣史研究所碩士論文,2010。
5. 林思玲,《日本殖民臺灣建築氣候環境調適的經驗》,國立成功大學建築研究所碩士論文,2006。

被引用紀錄


曾筱甯(2016)。眾樂之堂:臺北中山堂(公會堂)藝文展演研究〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201603312
李昕穎(2016)。試論日本建築家對臺灣建築特色之建構與反省-以日治官方建築為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201601055

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