現代音樂發表會「春秋樂集」(1991-2001)之研究

A Reserch on ” Spring Autumn Music” (1991-2001)

張馨文(Shin-Wen Chang)

指導教授 ： 顏綠芬

國立臺北藝術大學/音樂學院學術論文/音樂學系碩士在職專班/碩士(2012年)

https://doi.org/10.6835/TNUA.2012.00004

摘要

「春秋樂集」是一個發表台灣現代音樂的系列音樂會，由作曲家馬水龍及邱再興文教基金會所共同創辦，主要活動的時間於1991─2001年，之後中斷了一段時間，到2010年才又重新啟動。「春秋樂集」主要以發表國人作品為主，每年固定於春季及秋季舉辦音樂會，春季音樂會發表40歲以下青年音樂家作品，秋季音樂會發表40歲以上音樂家作品，在十年間發表了134首作品，從獨奏曲到多重樂器組合的重奏曲，還有新媒材的加入，為台灣的現代音樂注入了一股新血。「春秋樂集」對於台灣現代音樂的發展扮演著重要的角色，除了鼓勵創作之外，也促使演奏家及社會大眾，對本土音樂創作的重視。由於「春秋樂集」在過去十一年間的發展尚未被整理及探討，所以本論文的研究重點，藉由演出作品彙整及分析、樂曲選例介紹及作曲家訪談，來探討20世紀末台灣現代音樂的生態發展與改變。

關鍵字

春秋樂集；台灣現代音樂；台灣作曲家；邱再興文教基金會

並列摘要

“Spring Autumn Music”, confunded by composer Ma Shuei-Long (馬水龍) and CHEW’S Culture Foundation (邱再興文教基金會), has a series of concerts for the performance of modern music in Taiwan. These concerts were held mainly from 1991 to 2001 and resumed in 2010. The purpose of the concerts is to offer a stage for local musicians to perform their works. The concerts are held regularly in Spring and Fall every year; the works performed in Spring are composed by musicians who are under forty, and the ones performed in Fall are composed by musicians who are over forty. Total of 134 songs were performed during the decade. Ranging from solo pieces to chamber music, plus the join of new media, they all help in creating new elements for Taiwan modern music. “Spring Autumn Music” plays an important role in the development of modern music; in addition to encouraging creativity, it is also raising the awareness in local music creation among performers and communities. There has not been much classification and discussion on the development of “Spring Autumn Music” in the past eleven years; therefore, this thesis puts an emphasis on work compilation and analysis, introduction on song selections, and composer interviews to further explore the status and change of Taiwan modern music in late 20th century.

並列關鍵字

Spring and Autumn Music； the modern music in Taiwan；Taiwanese

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