張邦彥音樂生命之探討

A Research of Chang Pang-Yen's Musical Life

黃貞婷(Chen-Ting Huang)

指導教授 ： 顏綠芬

國立臺北藝術大學/音樂學院/音樂學研究所/碩士(2009年)

https://doi.org/10.6835/TNUA.2009.00111

摘要

張邦彥除了身為作曲家及音樂教育家外，在音樂作家這個角色上也不容忽
視，許多音樂期刊中都可發現他的論述及譯作。他關懷社會對於音樂知識的需
求，為了國人能跟上世界音樂的腳步，將某些知名音樂雜誌中的文章，翻譯成中
文，同時自己也寫文章來推廣音樂，雖然現年已73 歲，但對於創作的熱情依然
不減，張邦彥的作品中也充滿了個人風格及濃厚的民族色彩。更值得一提的是他
對於傳統音樂的貢獻；在張邦彥之前，台灣學西樂的作曲家，幾乎少有人為傳統
樂器合奏作曲，然而張邦彥不僅投入這個領域，而且在創作數量上也不少，可說
為了傳統樂器貢獻了不少心力。

關鍵字

張邦彥；《全音音樂文摘》；音樂教育家；音樂作家

並列摘要

In addition to being a composer and music educator, Chang Pang-Yan's role as a
music writer can not be ignored. There are lots of his essays and translation works
published in many music journals. Chang cares very much about people's thirst for the
knowledge on music. In the hope that Taiwanese people can catch up with the rest of
the world in terms of musical level, he translated articles in famous musical journals
into Chinese. On top of that, he also writes essays to popularize music. Although 73
old now, Chang's passion for composition remains unchanged.
Chang Pang-Yan's works are full of his personal style and the spirit of a nation.What's
worth mentioning is his contribution to the traditional music. Before him, few
Taiwanese composers wrote music for traditional musical instruments. Chang not
only dedicated in this field but also created a great number of works. He has indeed
contributed a lot to the modern application of traditional musical instruments.

並列關鍵字

Chang Pang-Yan；music writer

參考文獻

1972年，頁61~69。

訊》，第66 期，1997 年，頁11-16。

參考資料

1. 專書與論文(按姓名筆劃排列)

李敏勇：《戰後台灣文學反思》。台北市：自立晚報，1994 年。