台灣文化景觀中場所空間之比較研究 以北台灣三十年空間變遷為例

A Comparative Study of the Cultural Landscape in Taiwan: the Space Transformation in the Northern Taiwan over the past 30 years.

藍龍(Long Lan)

指導教授 ： 陳其澎

中原大學/設計學院/室內設計研究所/碩士(2010年)

https://doi.org/10.6840/CYCU.2010.00031

摘要

中文摘要

近年來，台灣電影藝術對本土地域場景愈為重視，上演後更造成風潮，如（艋舺、海角七號），但同樣的當前藝術工作者也擔心文化景觀遭受衝擊。因為透過電影的行銷恍如刀之兩刃，對於文化景觀亦是如此，本研究即以台灣文化景觀中場所空間三十年來之變遷為研究的主要對象，並利用諾伯舒茲（Christian Norberg-Schulz）之場所精神及亞歷山大（Christopher Alexander）建築模式語言的概念加以陳述，企盼能夠建構一套台灣專屬文化景觀空間論述的初步研究架構，以做為更進一步研究的起點。應用（1980～2010）年間，三十年來收集大量的本土資料，透過長期對變遷歷程的觀察。運用攝像、田野訪查及親身體驗，在文化景觀中社會與歷史的涵構進行描述與比較，可以讓人們更清楚文化的態度與過程，進而了解其意義。企盼此研究對後續之研究能有所助益。

關鍵字

場所 ； 空間 ； 文化景觀

並列摘要

In recent years, film arts scene on the local area the more the emphasis is more the rage after staged if (wanhua, cape on the 7th), but the same is also worried about the current cultural landscape artists hit. because both sides through the film cultural marketing huang ru edge, is also true for the cultural landscape, this study in taiwan three years of the cultural landscape changes as the subject ofusing (christian norberg-schulz) the spirit of place and (christopher alexander) to be building the concept of pattern language shoping to construct a set of exclusive cultural landscape of taiwan discussed the preliminary research framework to serve as a starting point for further research. applications (1980～2010) three years to collect a lot of local information through long-term observation of the change process. the use of camera, field visits and experiein the cultural landscape and historical context for the community to describe and compare, you can make people more clearly the process of cultural attitudes and then to understand its significance. look forward to the follow-up study of this research can be helpful.

並列關鍵字

space ； place ； Cultural landscape

參考文獻

1999 《台灣龍舟競渡之文化傳承》 行政院體育委員會

傅科（Michel Foucault） Readings in social theories and the Cultural form of space

Mike Crang Cultural Geography

海德格(Heidegger,）Poetry, Language, Thought

1975 《詩、語言、思，彭富春 譯》本書翻譯據Martin Heidegger