異時空脈絡下的打里摺文物

論文摘要本文以「打里摺文物」為主要論述對象，以該批文物所處的時空背景與歷史情境為主要的研究動機與目的。從物質文化的觀點出發，「物」本身是一個抽象的符號體系，它會隱含社會結構與社會脈絡。因而首先，本文探究文物集合體的名稱來源與意義，來觀看此批文物的歷史脈絡與延伸意義如何成形。其次，觀看文物在最初被集合的過程與集合後的呈現，當中的意義與脈絡為何？並從中呈現此意義與文物集合體的名稱有何關聯？再者，該批文物隨著時間的逐流，在因緣際會下又經由場域的轉換，進而再度呈現文物新的意義。據此，本文欲通過人類學物質文化與民族誌描述的方式，進入環伺在該文物不同他者的地域範疇與時空脈絡，來觀看該文物在不同時空脈絡的呈現與展演。進而以民族誌書寫描述的方式「進入」到：打里摺文物的形成過程、打里摺教育館萬餘件文物的空間呈現、與經由場域的轉換後暨南大學如何展演該批文物與發展數位點藏，四個不同的他者與時空面向，試圖通過民族誌的書寫方式將各個時空過程紀錄下來，同時觀看物在不同時空脈絡的內容與意義。進而通過本文的研究驗證與指出，物本身是一個象徵的符號系統，在不同時間與空間情境中，不斷經由「人」去書寫展演文物背後的符號形成象徵意義。而物本身又擁有特定的歷史時空脈絡，在這一層既存基礎的脈絡下，不斷經由場域的轉換所持續進行的「他者」對物的重組、展演與詮釋。

關鍵字

打里摺；物質文化；民族誌；符號體系

並列摘要

Abstract： This research aims to prescribe the historical background and scenery of Taritsi Collection. In view of material cultures, object itself is an abstract sign system and implies the social structure where it stands. Thus this study firstly reviews the previous literatures and investigates the range of a group of objects in name of “Taritsi” as well as the historical flow and extension of these objects. Secondly this research also prescribes how these objects started to be collected and what they were like after the collection. Through this, the significance and of these objects are presented while its relation to the name of these object collections are also revealed. Furthermore as the time went by and the location was also changed by various causes, the new significance of the objects were presented. Finally this research prescribes the presentation and the development of Tartsi Collection as the change of the time and the space through the methods of material cultures and ethnography with the observation of the location and history of these objects which were surrounded by the alien tribes.