陶藝花器設計創作之研究

摘要陶瓷的演進為文明進化留下豐富顯著的成果，中國各代陶瓷發展自成典型，器形及釉色，美不勝收，從先人創作中可窺見其品味及美學涵養在陶瓷中展現無遺。而陶瓷的發展在臺灣也展現了豐富多彩的面貌，隨著藝術思潮的演進，其表現方式及技法也不斷的推陳出新，除了藝術性的表現，更有結合設計性與實用性的陶藝作品。觀察近年來臺灣花藝展覽作品中，花器的獨特性是插花者表現個人風格時重要的選擇，因此引發以陶藝花器作為研究之主題，希望促進插花藝術及陶藝花器表現的可觀性。本研究試圖結合陶藝花器實用與純藝術的功能，設計出一系列的作品，旨在提升陶藝的造形表現與實用功效的圓滿結合，並使花器不落於制式化的僵硬模式。本研究共計六章，第一章緒論，論述研究背景、動機、與目的，並且說明研究範圍與限制及研究流程。第二章則是文獻探討，從文獻資料中了解陶藝的意涵、中華插花藝術與花器之關係及臺灣陶藝花器的發展，並作為創作理論的參考依據。第三章是研究方法，以文獻分析方式，探討陶藝花器設計的視覺美感因素與實用機能探究，藉此分析作為設計時的考量因素。第四章是創作方法與過程，說明創作理論、作品技法的運用與發展及創作流程。第五章是作品說明與展現，呈現陶藝花器創作作品並結合花藝設計，作整體展現。第六章為本文結論，對本研究「陶藝花器設計創作」的研究結果作一總結，並提出後續研究的方向及可能性。

關鍵字

陶藝；花器設計

並列摘要

Abstract Progression of ceramics has left abundant remarkable achievements in the civilization evolution. Development of ceramics has created its own unique style, shape and uranium color from every dynasty in Chinese history. The taste and esthetics cultivation of creations of previous generations are expressed completely from their ceramics pieces. Development of ceramics in Taiwan also has shown the rich and colorful aspects. Accompanying the progression of the ideological trend of fine art, the ceramists found new expression ways and innovating techniques. Besides expression of artistry, the products combine design and practicality are also found. Observing the pieces shown in floriculture exhibitions these years, the uniqueness of flow arranging container is one important tool for expressing personal style for flow arranging artists. Therefore it leads to investigations focused on ceramics flow containers, and hopefully it will enhance the expression of flow arranging art and ceramics flower containers. This study intends to design a serial of prices by incorporating the fine art characteristics and practicality of ceramics flower containers. The objectives are to elevate shape expression of ceramics and to incorporate perfectly the practicality into ceramics, as well as to make the flow containers to conform a not conventional pattern. There were total six chapters in this study. Chapter one was introduction. It described the research backgrounds, the motivation and the objectives of this study, and to explain the investigation scope, restrictions and investigation procedures. Chapter two was literature review. We tried to understand the meanings of ceramics, the relationship between the Chinese flower arranging art and the development of Taiwanese ceramics flower containers by reviewing the literatures. That would be also the references for the theoretical foundation. Chapter three was methods of investigation. By analyzing the literatures, we tryed to explore factors affecting the vision sense of beauty in ceramics flower container design and to use that for references in product design. Ⅱ Chapter four was the creation methods and procedures. It described the creation theories, technique application and development, and creation procedures. Chapter five was the creation results and analysis. The ceramics flower container creation pieces were shown and expressed the whole image combing with flower arranging design. Chapter six was conclusion. It concluded the research results of the “ceramics flower arranging container design and creation” investigation and proposed the possibilities and directions for further investigation works.