《昨天的妳》劇本創作暨詮釋報告

本文旨在說明《昨天的妳》劇本之創作過程及方法，以創作動機、目的為出發，闡述創作靈感之來源，並期望透過創作達到自我對話，完成內在情緒整理之目的。透過相關資料之查詢，後融合筆者自身的經驗，探索自我對於負面情緒的經驗與反思，將之轉化並代入於劇本之中，以人物的心理狀況為劇情的主要呈現。詮釋報告共分為三章：第一章學理基礎，討論情緒之基本概念，負面情緒的產生及調適；探討相關作品於負面情緒題材創作上的觀點與表現。第二章創作內容，則針對劇本創作上的題材與選擇來進行說明，以及創作過程中所面臨的限制與戲劇形式之選擇，並針對音樂劇的戲劇形式進行說明。第三章創作分析，以劇本結構、人物設計、詞曲編排為主要說明。最後在結論部分，為劇本創作及詮釋報告之心得總結。筆者期許自己能以健康的方式，探測內在的負面情緒，同時也希望存有相似困難之他人，亦能耐心等候，給自己多一些時間，找到正確並適合自己的方式，自眼前的迷霧中走出。

關鍵字

負面情緒；潛意識；獨幕劇

並列摘要

This paper looks to offer a detailed explanation on the creative process and methods involved in the production of the play Past Yesterday. Taking the exploration of the play’s creative motives and goals as a starting point, followed by a discussion on the source of its creative inspiration, and in hopes that a successful self-dialogue can be established throughout the creative process, the author looks to achieve the goal of an organizing, or a “sorting out” of her innermost emotions. Through an inquiry into the relevant literature, followed by the inclusion of the author’s own experience, the goal is the experience and reflection of personal negative emotions, transforming them into material later introduced into the scrip of the play, in which the psychological state of the central character serves as the vehicle for the main manifestation of the plot. This paper is divided into three chapters. The first chapter delves into academic theory, investigating the foundational concepts of emotion and the generation and adaptation of negative emotions. Relevant literature dealing with a range of views and expressions regarding the topic of negative emotions is also explored. The second chapter centers around creative content. It offers an explanation into topic choice during the script’s creation, as well as any restrictions faced and decisions made regarding the play’s structure and format. In addition, an explanation regarding the choice of a musical format is offered. The third chapter deals with creative analysis, with discussions on script structure, character design, and song arrangement being the central focus. Finally, a conclusion is offered, in which a summary of the creative process of the writing of the script and lessons learned from this paper are offered. The author hopes that she can use healthy, safe methods to explore the world of her negative emotions. Along those same lines, the author hopes that others with similar difficulties can be patient and give themselves time to find a path, one eminently suitable to themselves, and thereby walk out of the darkness that they currently find before them.