人類自有文化以來、建築一直與人類的生活具有密切的關係,然隨著時代潮流的變遷及各個國家民族之地域環境及生活文化之差異,各式建築風格及形式也油然而生,直至近代隨著技術的進步以及科學的精密計算,建築之材料及複雜的結構發展已臻至成熟,建築師們得以恣意的實現其完整的設計理念。 尤其獨具科技特色之“解構主義”風格強調反傳統結構及形而上精神的典範更震驚了當代的設計,本研究在進行產品設計的研究中發現,現今的產品設計中、部分的觀念來自於解構主義之原始精神,故本研究以設計研究者之角度,試圖來探索“解構主義”的精神及分析其呈現手法,將解構主義的設計手法轉化於產品設計當中,以提供後學及專業產品設計設計師一個新的思考方向及表現手法。 本研究特以文獻探討和實地訪查之方式進行《解構主義》的分析與研究,期間並邀請台灣知名之專家學者及建築師來進行文化分析及設計評價,歸納出設計典範與方法,最後以問卷及群集分析之方式來驗證本研究之設計規範。本研究所發展出之解構主義之獨特造形元素,表徵出顯學之精神對應於結構學之文化元素的意義,續之將轉化應用於產品設計之中,這些文化元素之規範將有利於後學進行文化設計時之參考。
For as long as the human race has had such a thing as culture, architecture has always had a close connection with peoples’ lives. Changing eras and trends as well as differences in local environments and cultures of the peoples of different countries have resulted in the emergence of architecture in every style and form. The modern age with its progress in technology and precise scientific planning has seen the development of architectural materials and complex structures reach a new level, where architects are now able to fully realize their design ideals like never before. Especially the deconstructivist Architecture alone emphasizes the rejection of traditional structures and forms with a vitality that has rocked contemporary design. This study discovers in its product design research that in today’s product design, many concepts arise from the original spirit of deconstruction. This study thus explores the essence of deconstruction from the point of view of a design researcher and looks to analyze the ways in which deconstructivism manifests itself and then turns these into product design. This is intended to provide later product design students and professionals with a new reference and means of expression.