舒曼《幽默曲》作品二十之分析與詮釋

An Analysis and Interpretation on Schumann’s “ Humoreske ”, Op. 20

吳逸雯(Yi-Wen Wu)

指導教授 ： 蔡雨利

台南應用科技大學/藝術學院/音樂系碩士班/碩士(2022年)

摘要

摘要

羅伯特‧亞歷山大‧舒曼 ( Robert Alexander Schumann, 1810-1856 ) 是德國浪漫時期著名作曲家兼音樂評論家。舒曼的爸爸是一位書店兼出版社的老闆，所以舒曼從小就對文學產生興趣，之後也把文學融合在他的音樂創作裡，使他的許多音樂作品都與文學有所關連。本詮釋報告針對舒曼《幽默曲》作品二十進行分析與演奏詮釋，此作品以套曲形式譜寫完成。全文共分四大章節：第一章是開頭緒論，以研究動機與目的以及研究方法與範圍；第二章是舒曼生平概述與《幽默曲》創作背景概述；第三章是舒曼《幽默曲》之曲式分析與詮釋；第四章為全文之結論。

關鍵詞：舒曼、幽默曲

關鍵字

舒曼、幽默曲

並列摘要

Abstract

Robert Alexander Schumann (1810-1856), a German composer and music critic of the Romantic era, had created many of his music ideas strongly influenced by literatures. His father was a bookseller and publisher. Therefore, Schumann’s interest in literatures and music was cultivated from an early age. Later in many of his music compositions, he had also integrated many ideas from literature into his music. This thesis focuses especially on the analysis and performance interpretation of Schumann’s Humoreske, Op. 20. It consists of four chapters: chapter one begins with my research motivation and purpose, as well as the methodology and scope of the study; chapter two is an overview of Schumann’s life and the historical background of Schumann’s Humoreske; chapter three is the compositional analysis and interpretation of Schumann’s Humoreske; chapter four is the conclusion of this study.

Keyword: Schumann, Humoreske

並列關鍵字

Schumann, Humoreske

參考文獻

參考文獻

一、中文書目

林公欽， 舒曼鋼琴變奏曲。台北：國立編譯館，2003。

陳玉芸， 舒曼鋼琴代表作之研究。台北：全音樂譜出版社，1997。

二、中譯外文書目