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  • 學位論文

身體的多重意象

The Body of Multi- image:The Creation Concepts of Hsiu-lin Tai

指導教授 : 陳水財
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摘要


摘 要 身體意象是我創作的核心課題。我試圖在創作中尋找某種「人味」,創作根源來自對生命經驗的感知與對自我心靈狀態的探索。在創作的整個過程中,則嚐試運用各種可能的方式,誠實面對身體知覺,並以女性的語言忠實呈現身體的多重意象,關照身體的真實感受和體悟。我的創作主題環繞著「人」本身,包括女人和男人,因此「身體」成了創作上最重要的角色。對我而言,身體不只是藝術創作的題材,更是自我生命經驗的感知對象。 本論述從對個人的生命經驗著手,進行對自我心靈狀態的探索。回溯是生命經驗探討必要的過程,透過從零開始、逃離.面對、愛.死亡.永恆的跨越、肉體的外皮超越等段落的陳述,逐步掀開自我的面紗,並以「身體」為主題,進行生命經驗的詮釋。為了深化論述的內容,必須針對相關理論進行瀏覽,閱讀的範圍包括無意識、集體無意識、圖像與象徵、身體知覺現象、陰性身體的舉止觀察、馬賽爾愛的哲學-愛、死亡、永恆等。 由於生命經驗的迂迴曲折,內在心靈則經常處於混亂、衝突的精神狀態下,既晴朗愉悅,也神秘、焦慮;創作裡的身體意象也產生變異,呈現多重樣貌。我的作品包含了平面繪畫與立體造形,希望藉由不同媒材探討各種可能的身體意象。創作作品區分為「虛幻與不安」「滯留時空」、「百度.擺渡」、「軀體與外皮」、等四個主題,並以此分別進行作品的解析探討。 每個人都有自己的記憶及經驗,身體則承載了這些經驗。隨著畫筆的流轉與形色的揮灑,思緒游移在意識與無意識之間,生命經驗呈現在各種身體意象中,是精神上的自我療癒,也是我的人生軌跡。 關鍵詞:軀體、身體意象、身體知覺、生命經驗

並列摘要


ABSTRACT The core subject of my creation is the body images. I attempted to search the “the sense of human” through the creation which is based on the perception about my life experiences and the discovery of the situation of my own spirit. I tried to take the various methods to face the body perceptions honestly, to display the multiple body images by the feminine language loyally and to concern the real feeling and comprehension of the lives. “Human” is the main topic of my creation, including the female and the male; meanwhile, it is also the most significant character of my creation. As for me, “body” is not only the material of art creation, but the perceptive object of my own life experiences. My creation concepts were based on my own life experiences and searched my own mental situation. The feedback was the essential procedure of searching the life experiences. Gradually I revealed my own veil through the descriptions of each section, that is, “starting from zero”, “escaping”, “ facing”, “love”, “death”, “eternal leap” and “over physical skin” and illustrated my life experiences with the “body”. For the sake of deepening the concepts, I had surveyed the theories relevant to my creation, composed of the Unconsciousness, the Collective Unconsciousness, the Images and Symbols, the Phenomenology of Perception, the Conducts of the Feminine Bodies Observation and Gabriel Marcel’s Philosophy of Love: Love, Death, and Eternal. Owing to my tortuous life experiences, my deep mind always lay in a state of chaos and conflict between sunny joy and dark anxiety. In my creation, the body images had changed into the various features. My art works consist of the plat paintings and the three-dimensional sculptures in order to discuss the various possibilities of the body images through the different materials. My art works are classified into four topics: “Mirage and Agitation”, “Staying Space-Time”, “Various Aspects & Swinging”, “Body & Skin”. Moreover, analyzing and discussing the art works separately is to research the original images, the threads of thoughts about creation evolvement, the introspection of the life experiences and to expound the multiple body images. People have their own memories and experiences. Body should carry them. With wielding paint brushes, flowing the shapes and colors and roving between consciousness and unconsciousness for the thoughts, the life experiences which are presented in the various body images are the mental self-therapies and my own life orbits. Keywords: “ Body”, “Body images”, “ Body Perceptions” and “life experiences”

參考文獻


參考文獻
中文書目
1.史作檉(2007)。雕刻靈魂的賈克梅第Giacometti: Caving Human Spirit。台北:典藏藝術家庭。
2.方秀雲(2009)。藝術家和他們的女人。台北市:博雅書屋。
3.李醒塵(1996初版)。西方美學史教程。台北:淑馨出版社。

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