霍特泰爾《E小調第二號組曲》，作品編號五之二分析與詮釋

本文以研究霍特泰爾(Jacques Martin Hotteterre1674-1763)《E小調第二號組曲，作品5之2》(Suite in E Minor, Op.5 No.2)的風格與詮釋為主要目的。這首作品共有七個樂章包含前奏曲(Prelude)、阿勒曼舞曲(Allemande)、薩拉邦(Sarabande)、小步舞曲(Minuet)、嘉禾舞曲(Gavotte)、輪旋曲(Rondeau)、吉格舞曲(Gigue)組成，每首舞曲皆有不同的特色。本文共分四大章來探討。第一章為研究動機，包含研究目的及研究方法。第二章為巴洛克裝飾音的探討，筆者將分別從義大利及法國兩大樂派來探討裝飾音在不同樂派風格下的使用方法，及介紹常用的法國裝飾音之種類和演奏法。第三章將介紹本曲的作曲者和本曲的曲式、調性進行樂曲分析。第四章為結論及參考文獻，希望藉由以上分析及詮釋能呈現出這首組曲音樂的獨特之處及所要表達的音樂語言。

關鍵字

霍特泰爾；第二號組曲作品編號5 ；法國裝飾音

並列摘要

The main purpose of this paper is to study the style and interpretation of Jacques Martin Hotteterre’s 〝Hotteterre suite in e minor No. 2, Op. 5〞. This piece is total comprised of 7 movements including Prelude, Allemande, Sarabande, Minuet, Gavotte, Rondeau, and Gigue, which all have very different characteristics and features. This paper is divided into 4 chapters. The first chapter describes the purpose and method of this study. The second chapter is the investigation of Baroque ornamentation. The difference uses of ornamentation were studied from the views of the School Italian and School French. In addition, the different types and playing methods of the frequently used French ornamentation were introduced. The third chapter is focused on the analysis of 〝Hotteterre suite in e minor No. 2, Op. 5〞, in terms of form and tonality, as well as the biography of Jacques Martin Hotteterre. The final chapter is the conclusion and reference. This study is aimed to analyze and interpret the uniqueness and the music language that expressed in the suite in e minor No. 2, Op. 5.