本文從蘇紹連的詩中歸納出詩人創作時採用的「割裂自我」的創作手法,此一手法呼應的是詩人對於生命存在的思考以及創作上超現實主義的情節,在創作手法上是變形之一種;在詩意上是對生命提出的質疑與看法。 本文第二部份呈現詩人「割裂自我」的意象,分為完整自我的割裂或是肢解部份自我的割裂,從中看出此一寫作手法在詩人創作中的表現方式。第三部份是闡述此種創作手法的根源及表現,從《莊子》、心理學以及修辭的角度說明此種自我割裂的理論基礎。第四部份則是解讀詩人使用割裂自我手法所要表現的生存的反思、生命的難題、個人孤獨感、空屋意象與渴求、與環境抗衡的心境等。 本文從形式的探討與內容的要旨兩個方面切入,提出蘇紹連詩中的「割裂自我」表現方式的價值與意義。
This paper researches for creative technique in poems uses ”separate oneself” from the poems of Su Shao-lien. This technique contents the poet, Su Shao-lien, thinking of his life and expressing the surrealism plot in works. Belong to the one of deformation, the technique means the poems lead to think for life and the view which proposed to the life. The second part of the paper presents the imaginations of ”separate oneself” in poems. Including the separate-oneself technique in complete imaginations and dismemberment in a section, the poetic technique shows the main expression in poems of Su Shao-lien. The third part of the paper is elaborated this kind of creation technique root and the performance, and the origin from ”Chuang-Zu” (莊子), the psychology as well as the rhetoric. The forth part of the paper explains that the poet wants to express his survival reconsidering, difficult problems on life, individual feeling of being alone, the vacant room imagination, his thirst for and his heart comes in making stand against to circumstances by the separates-oneself technique. The paper discusses the form and content two aspects, proposed Su Shao-lien in the poem ”separates oneself” the performance way value and significance.