屈原形象接受之流變：以漢至六朝爲限的考察

屈原作為騷人之典範，始終牽引著古代中國士人的心靈。惟屈原形象並非一成不變，其中存在著諸多辯證；而之所以有定型、改變與交融的契機，又與異代接受者之政治氛圍息息相關。本文以漢至六朝的屈原接受為軸心，試圖指出：屈原形象之傳承與位移，彰顯了由漢初以至六朝的接受者對「屈原之情」在接受上的不同面向。由漢初士人所見的忠怨之情爲起點，續有班固强調屈原在政治行動之忠誠、並以合禮之情與否來衡定屈賦的價值。進入魏晉，士人更在「忠－臣」屈原的認識之外，嘗試由私人領域的位置進行詮釋，正面論述了屈原個體情性的抒放，突顯其忠於己意之一面。藉由屈原於漢至六朝接受史的考察，當可窺見其涉及了「儒者／禮情」觀的成形、穩固與鬆動，乃至有魏晉「名士／抒情」觀的辯證與發展，從而更切實地瞭解中古士人情性自覺的內在理路與歷史脈絡。

關鍵字

屈賦；《詩》；諫書；禮；情

並列摘要

As the model for literatus, Qu Yuan has always gripped the hearts of ancient Chinese intellects. Instead of being in the rut, Qu Yuan's image has gone through various arguments, being molded, altered and mixed. The transformation in the received Qu Yuan's image is highly related to the political climate in different eras. By studying the reception of Qu Yuan's image from Han Dynasty to Six Dynasties, this paper aims to explore different aspects of the received "Qu Yuan's Sentiment". Starting from Qu Yuan's loyalty and plaintiveness from Early-Han intellects' perspective, Ban Gu continues to emphasize Qu Yuan's loyalty shown in his political action and to appreciate Qu Yuan's worth by judging his sentiment of rite. In Wei Chin, the intellects attempt to interpret Qu Yuan's image from a more personal aspect. They elaborate his individual expression, emphasizing the side of Qu Yuan following his own will. The transformation of Qu Yuan's received image involves the decline of the ''Confucian-sentiment of rite" concept and the development of the ''Celebrity-sentiment of individual'' concept in Wei Chin. The intellects' ideologies and historical contexts in ancient China are discussed.

並列關鍵字

works of Qu Yuan ； Classic of Poetry ； remonstrance (諫書) ； rite ； sentiment

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