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劉新圓 , Ph.D  Advisor:羅基敏  


音樂即興作曲演奏musical improvisationcompositionperformance

Abstract 〈TOP〉
Parallel Abstract 〈TOP〉
Reference ( 88 ) 〈TOP〉
  1. Ludwig van Beethoven. Beethoven Piano concerto No.5 Es dur. 東京:全音樂譜出版社,1991。
  2. Mozart, Wolfgang Amadeus. Concerto in B-flat major for pianoforte and orchestra,KV 595. Kassel: Barenreiter, 1988.
  3. Mozart, Wolfgang Amadeus. Piano concerto no. 20 in D minor, K. 466. Elmsford, NY: Music Minus One, 1995.
  4. Berliner, Paul. Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press, 1994.
  5. Blume, Friedrich, translated by M. D. Herter Norteon. Renaissance and Baroque Music: A Comprehensive Survey. New York: W. W. Norton, 1967.
Times Cited (3) 〈TOP〉
  1. 薛詠之(2013)。約翰·凱基的擊樂即興作品-以《樹之子》為例。臺北藝術大學管絃與擊樂研究所擊樂組學位論文。2013。1-61。 
  2. 黃婉婷(2012)。舒曼的《a小調鋼琴協奏曲》:交響協奏曲的典範。臺灣師範大學音樂學系學位論文。2012。1-127。
  3. 王奕涵(2016)。從旋律的建構談我的創作。臺北藝術大學音樂學系碩士班作曲組學位論文。2016。1-75。
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