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特技舞蹈發展概況

The Development of Acrobatic Dance

摘要


特技舞蹈(acrobatic dance)為近代表演藝術全球化浪潮之趨勢下,以全面性表演為類型之表演藝術,結合創意、科技、雜耍、運動技能、行銷等元素,開啟文化創意就業契機。特技舞蹈為整合特技體操、雜耍、舞蹈、疊羅漢等特性而成。特技與舞蹈兩者之關係雖有既定共同的藝術內涵,且兩者皆必須透過身體素質的提升而達到最佳表現,隨著科、技整合與「文化產業化」之衝擊,這項充滿表現力與藝術美之表演藝術,已開始受到重視。本文欲簡易介紹「特技舞蹈」之近況發展及特殊性,進而衍生其對於傳統藝術之衝擊與潛在之文創產業經濟效益,未來如何全面提升臺灣文化表演藝術素質,是目前藝術教育之一大重要課題。

並列摘要


Under the trend of globalization in modern performance arts, Acrobatic Dance was categorized as a holistic performance art. It incorporates the elements of creativity, technology, acrobatics, sports skills, and marketing, which initiates the employment opportunities in cultural creativity. In addition, Acrobatic Dance integrates the special characteristics of acrobatic gymnastics, acrobatics, dance, and human pyramid. Intrinsically, acrobatics and dance both have art content in common and require the elevation of body constitution to reach the best performance. Under the impacts of the integration of science, technology, and industrialized culture, this performance art is full of strength and artistic beauty and is highly valued. This article briefly introduces the recent development and the specialization of Acrobatic Dance, and then explores a further analysis on its economic effect on traditional arts and potential industry of cultural creativity. Therefore, how to upgrade the quality of cultural artistic performance in Taiwan has become an important issue in art education.

參考文獻


大學入學考試中心(2010,8 月1 日)。學類定義。資料引自http://www.ceec.edu.tw/123knd/123.pdf
文化部(2012,7 月25 日)。表演藝術。資料引自http://www.moc.gov.tw/business.do?method=list&id=20
王宗吉(1992)。體育運動社會學。臺北市:銀禾。
行政院經濟建設委員會(2005)。挑戰2008:國家發展重點計畫(2002-2007)。臺北市:作者。
林曼麗(2000)。臺灣視覺藝術教育研究。臺北市:雄獅。

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