透過您的圖書館登入
IP:18.220.136.165
  • 期刊

現代雅集與電影奇觀:民初上海「大世界」中的影戲小說創作研究

Modern Elegant Gatherings for Movie Spectacles: A Study on yingxi fiction of Great World Entertainment Center

摘要


本文簡要論述民國初年上海的舊派文人在大世界遊樂場這個特殊的現代空間中的觀影活動與相關的影戲小說創作。通過分析影戲小說的生產過程,重構以看電影為核心的文人雅集之景況,並探討舊派文人如何面對並消化現代藝術與視覺體驗。通過文化場域、白話現代主義以及機械複製理論的介入,影戲小說的生產將成為一個有力的切口,窺視現代性在民初文人的心中如何產生微妙而深遠之作用。

並列摘要


This essay focuses on elegant gatherings and yingxi fiction creation in the Great World Entertainment Center during early Republican China. Yingxi is made by an old fashioned scholar called Lu Dan'an, After watching the imported silent movies, he records the contents and adapts them as fictional texts for the purpose of introducing the stories to those who could not afford to watch the films. How yingxi fiction is made, reveals the ruling order among the elegant gatherings, as well as the progress old fashioned Chinese novelists digest western culture and films. With cultural field, vernacular modernism, aura and mechanical reproduction as theoretical approaches, the struggle of Chinese literati against modernism will be interpreted.

參考文獻


中國戲曲志編輯委員會:《中國戲曲志.上海卷》,北京:中國 ISBN 中心,1996 年。
本雅明著,張旭東、魏文生譯:《發達資本主義時代的抒情詩人:論波德萊爾》,北京:三聯出版社,1989 年。
托馬斯庫恩著,金吾哲、胡新和譯:《科學革命的結構》,北京:北京大學出版社,2003 年。
列文森:《革命和世界主義:西洋舞臺和中國舞臺》,轉引自李歐梵:《上海摩登》,北京:北京大學出版社,2001 年。
汪蔚甫編:《小說郛.第一集》,上海:廣益書局,1917 年。

延伸閱讀