論秦觀的辭賦創作

徐培均《淮海集箋注》卷一共收錄秦觀辭賦七篇，〈寄老庺賦〉、〈湯泉賦〉、〈歎二鶴賦〉三篇為「文體賦」，〈郭子儀單騎見虜賦〉為「律體賦」，〈浮山堰賦〉、〈黃樓賦〉、〈和陶淵明歸去來辭〉三篇為「騷體賦」。秦觀的辭賦創作，非常講究格法，在「蘇門四學士」之中，其創作亦最為工緻精密。數量雖不多，但體式卻多樣，有文體賦、律體賦、騷體賦；題材也廣泛，有記遊、詠物、詠史。篇幅雖不大，然皆精緻耐讀。其賦有自然流暢、筆端含情、活用典故等特色。

關鍵字

秦觀；辭賦；散文；淮海集

並列摘要

There are 7 pieces of CiFu of Qin Guan in Xu Pei-jun's ”Commentary of Huaihai Anthology”. ”To Lao'an Fu”, ”Hot Spring Fu”, ”2 Cranes' Sigh Fu” are Literary-form Fu. ”Isolated-riding Gou Zi-yi Meeting with Captive” is Rhymed-form Fu. ”Fushan Barrage Fu”, ”Yellow Tower Fu”, ”Responsory to Tao Yuan-ming's Return to Rual Life” are Lisao-form Fu. Qin Guan devote particular care to rhythm in his CiFu, which is the most delicate and precise in the Four Scholars of the Su Group. His CiFu is few but has various style- Literary-form Fu, Rhymed-form Fu, Lisao-form Fu and extensive theme-travel notes, chanting things, chanting the history. It's not very long but delicate, natural and smooth, sentimental, and can make flexible use of literary quotations.

並列關鍵字

Qin Guan ； CiFu(a literary form, sentimental or descriptive composition, often rhymed) ； Essay ； Huaihai Antholog

國際替代計量

論秦觀的辭賦創作

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