This study explores the relationship between the cross-strait relation and pattern of the ceramics bottles of Kinmen Kaoliang Commemorative Liquor from 1949 to 1992. In the early days, in spite of the confrontation between the two sides of the Taiwan straits, the visual images of bottles were designed with the theme of recovering the mainland China. The visual images function as the tool to cohesion the force of national imagined communities. There are variation in bottle patterns While the cross-strait relation toward reconciliation.