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1980-2000年代台灣藝術(美術)環境與藝術經濟發展之關係探析

Research on the relation between Taiwan's artistic environment and the development of artistic economy from 1980 to 2000

摘要


1980-2000年是台灣美術社會發展的黃金時期,此與台灣經濟成長關係密切,由於經濟的成長帶動藝術經濟的蓬勃,再進而促進美術社會的發展。但雖如此,底層美術環境的良窳卻也扮演著重要角色,蓋美術環境是攸關美術社會發展之主要前提,基礎環境不健全則影響整體社會之發展,本文即扼要敘述1980-2000年當時台灣美術環境梗概,據以說明美術環境與藝術經濟發展相輔相成之關係。

並列摘要


From 1980 to 2000 was the golden age of the development of the society in the field of arts (fine art) in Taiwan. It related with Taiwan's economic growth very closely. The prosperous development of economy accelerated the development of art economy which has therefore promoted the development of artistic society. Nevertheless, it also depended on the quality on basic environment of art. For the artistic environment is the premise of development of artistic society. Being or not healthy on the basic environment of artistic society will influence wholly the development of society. On such perspective, this article attend to take an outline of the development of the society in the field of arts in Taiwan from 1980 to 2000 to explain the relation was complementary between Taiwan's artistic environment and the development of artistic economy in these two decades.

參考文獻


孫立銓(1996)。藝術產業能否跨過濁水溪—畫廊業者對南移的觀點。炎黃藝術。79,51。
倪再沁(1995)。台灣美術的人文觀察。台北:雄獅圖書公司。
李宜修(2002)。90's年代台灣畫廊文化生態之研究(碩士論文)。南華大學美學與藝術管理研究所。
藝術百科全書。中國北京:中國大百科全書出版社。
黃河(1996)。藝術市場探索。台北:淑馨出版社。

被引用紀錄


廖芝涵(2014)。空間實踐作為一種社會實踐—以台北市複合式藝文空間為研究案例〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1109201402055100

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