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囝仔歌是台灣詩的田土-細論康原與彰化詩學的幽徑

Kid Songs Are the Basic Land of Taiwanese Poetry-Kang Yuan Has Created in-depth Way for Chang-hua Poetics

摘要


彰化文史工作者康原一生的志業,表現在他對台灣囡仔歌的紀錄,對台語詩的堅持,對老彰化事物的關懷,如果從「詩學」、「美學」尚未成立之前的那顆心的熱誠去理解,脈絡可以清晰,內容可以豐厚,康原與彰化詩學的繫連也就十分緊密。如型構彰化學方面,康原有著多方面的努力:人物典範的塑造與論述,歷史事件的還原與評述,地理天文的觀測與敘述,風土器物的採集與記述,名勝景觀的尋探與描述。如創作台語詩方面,康原深受台灣囝仔歌影響,爲新詩創作另闢幽徑,創造了:和諧的押韻之美,驚喜的拼貼之美,豐盛的物產之美,教育的傳承之美,純真的戲謔之美,多變的台語之美。所以,台語囝子歌先於台灣新詩而存在,這是歷史的真實;康原近乎台語囝子歌的台語詩,卻是台灣新詩可能存在的一種雛形,這不是歷史發展的真實秩序,而是詩心湧現的絕對真實。康原呈現了彰化詩學的另一種可能,就像他型構彰化學的粗坯,一樣真誠且真實。

並列摘要


The Chang-hua's literature and historical literator, Kang Yuan, has been contributed in creating of literatures as his lifelong aspiration. He is so insistent in writing Taiwanese language poems of his literatures are rooted in his homeland's history and culture. From Kang Yuan's literatures especially poetries, readers will be quite frankly to perceive that Kang Yuan and his Chang-hua poetics are tie-in heartily when readers read his literatures from poetics and esthetics perspective by sincerely heart. They will realize that all literatures' sequences of ideas are clear and the contents are touchable, abundant and various. The construct of Chang-hua literature, Kang Yuan has worked hardly on multiple aspects of which he constructs Chang-hua literature in a framework of three dimensions. For instance, his Chang-hua literatures consist of representation and description of figure characteristics, restoration and critic of inflective historical events, observation and description of geography and astronomy, collection and record of local customs and practices of daily commodity, and exploration of points of interest. Of those aspects, Kang Yuan is deeply influenced by his kid songs of creation when he poeticizes events, minds, feelings of any kind in a daily life. As a result, he is not only creating the beauty of harmonized and rhymed verses but he is also puzzling the beauty of educational, sincere, and abundant contents in Chang-hua poetics. Therefore, new Taiwanese poetics are taken and evolved from the root of existing Taiwanese kid songs. This is the reality of history. The kid song-liked poems of Kang Yuan are prototyping the model of new Taiwanese poetic characteristic. It is not in a real order of historical development. It is a fabulous poesy comes across in-depth of absolute realism though. Kang Yuan presents to another possibility of Chang-Hua poetics as he models the framework of Chang-Hua literature with his genuine and sincere heart.

參考文獻


康原(1987)。作家的故鄉。台北:前衛出版社。
康原(1992)。文學的彰化─彰化縣新文學作家小傳。彰化:彰化縣立文化中心。
康原(1984)。最後的拜訪。台北:號角出版社。
康原(1991)。佛門與酒國。高雄:派色文化出版社。
康原(1995)。懷念老台灣。台北:玉山社。

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