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魏晉「言意之辨」的兩個層面

Two Dimensions of the "Distinction between Language and Meaning" in Wei-chin-hsüan-hsüeh

摘要


「言意之辨」是魏晉玄學的一個重要課題。「言盡意」與「言不盡意」的爭論,向來都被視爲這個課題的核必,在這種詮釋中,「言」特指形而上學的語言,「意」則特指形而上的實體和原理,形而上學維然是魏晉玄學的主流,但形而上學只是是「言意之辨」的一個層面。除此之外,還有另一個常被忽視的層面。這個層面以語言和意義的一般關係爲核心,不局限於任何特定種類的語言。忽視這個層面的區分,將使「言意之辨」中一些代表人物(特別是歐陽建和嵇康)的言意觀變得難以理解。確立了這兩個層面的區分,不但這些人物的言意觀可以得到恰當的說明,「言意之辨」的內容亦可得到全面的反映。

關鍵字

言盡意 層面 形上學語言

並列摘要


This paper attempts to demonstrate the incompleteness of the incompleteness of the ”distinction between language and meaning” in wei-chin-hsüan-hsüeh as the dispute concerning whether ”language exhausts meaning”. According to such intepretation, ”language” is but metaphysical discourse, and ”meaning” is but metaphysical truth, Undoubtedly, this metaphysical dimension represents the main stream of the philosophical thought in the Wei and Chin Dynasties, But there is another dimension of the ”distinction between language and meaning,” which is always neglected by the historians of Chinese philosophy, In contrast to the metaphysical one, this dimension envisages ”language” and ”meaning” from a general point of view and places no emphasis on any particular type of language or meaning. Due to such negligence, the views of some important figures of wei-chin-hsüan-hsüeh, namely, Ou-Yang Chian and Chi Kang, on the ”distinction between language and meaning” become incomprehensible. This incomprehensibility of Ou-Yang Chian and Chi Kang's views on language and meaning on one side, and the lights shed on the implications of their views with the introduction of this dimension on the other, together justify my distinction of the two dimensions of this theme in wei-chin-hsüan-hsüeh.

參考文獻


唐歐陽詢(1982)。藝文類聚
晉陳壽(1976)。三國志
王葆玹(1987)。正始玄學
吉聯抗(1964)。嵇康.聲無哀樂論
牟宗三(1970)。才性與玄理

被引用紀錄


李瑋如(1999)。魏晉易學「生生」思想研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1804200713385613
沈維華(2002)。魏晉言意思想研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1904200715572424
陳錦湧(2003)。魏晉玄學存有論之當代詮釋與反省重建〔博士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2603200719132887
張珍禎(2006)。嵇康〈聲無哀樂論〉之玄學思維──論題架構的思想格局對魏晉思潮之回應〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0712200716115537
廖啟宏(2011)。中國古典詩論中的寫實概念--以現代詮釋為研究進路〔博士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-1903201314410545

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