臺灣油畫修復觀念的發展

張容慈

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臺灣油畫修復觀念的發展

The Development of the Concept of Oil Painting Restoration in Taiwan

張容慈 , Masters　　Advisor：廖仁義　　

繁體中文

油畫修復；美術資產；西洋繪畫史；油畫修復史；臺灣美術史； oil painting restoration ； art assets ； Western painting history ； oil painting restoration history ； Taiwanese art history

Abstract │ Reference (109) │ Altmetrics

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This paper examines the history and concept history of oil painting restoration in Taiwan. For Taiwan, oil painting and oil painting restoration are foreign mediums and techniques; oil painting creation began in the 1920s, while records show that oil painting restoration began in the 1960s. Taiwan may have begun oil repair between 1920 and 1960. The initial motive of this paper is to trace the background of oil repair and explore whether it was affected by the early oil painting learning environment. This paper also examines how oil repair transformed to restoration, as well as how people thought about the practices and benefits of oil painting restoration during the transformation process. This serves as the motive of exploring the concept of oil painting restoration in this paper.
　　Thus, this paper first examines the background and environment of Taiwanese painters learning oil painting. Where did the demand for oil painting repair and restoration come from? When did it begin? And when restoration began to gain popularity, which people and what events influenced oil painting restoration, making it a necessary development? Which external thoughts and internal factors influenced the continued development of restoration? What phases of concept and characteristics were formed? Therefore, the full text is divided into six chapters. The first chapter explains the research direction of the history and concept history of oil painting restoration. The second and third chapters serve as background comparisons, tracing Western oil painting restoration and the transitional process of oil painting restoration concepts. The fourth chapter starts with the year 1930, tracing the repair and restoration of Taiwanese oil paintings, exploring the source of oil painting restoration concepts. The fifth chapter conducts research starting from 1991, probing into the development situation of oil painting restoration in Taiwan, as well as the development of oil painting restoration concepts. Finally, the sixth chapter concludes the results of the fourth and fifth chapters, raising the characteristics of historical research and the development of oil restoration in Taiwan.
　　Currently, this paper states that the key development of oil painting restoration in Taiwan lay in the 1960s and 1990s. Repair existed before 1960. Oil painting restoration concepts began to form from 1961 to 1990. Restoration practices were gradually implemented starting from 1991, and the concept of conservation emerged after 2000. There is confusion regarding repair, restoration, and conservation in the environment of Taiwan. Through objective retrospection, this paper serves to clarify the relationship between this situation and the development of Taiwanese art, presenting historical facts while examining and understanding the environments and concepts of restoration during different time periods.

Reference ( 109 ) 〈TOP〉

Brandi, Cesare. (2005). Theory of Restoration, edited by Giuseppe Basile, translated by Cynthia Rockwell, New York: Harcourt Brace Jovanovich.
連結：
Hoeniger, Cathleen. (2009).The Development of Principles in Paintings Conservation: Case Studies from the Restoration of Raphael’s Art, in Alison Richmond and Alison Lee Bracker (eds.), Conservation :Principles, Dilemmas and Uncomfortable Truths (pp.100-112), Oxford : Butterworth-Heinemann in association with the Victoria and Albert Museum London.
連結：
Kirby Talley Jr., M. (1998). Miscreants and Hotentots: Restorers and Restoration Attitudes and Practices in Seventeenth and Eighteenth Century England, in Christine Sitwell and Sarah Staniforth (eds.), Studies in the History of Painting Restoration (pp.27-42), London : Archetype Publications in association with The National Trust.
連結：
Kirsh, Andrea and Levenson, Rustin S. (2002). The Paint Layer, in Seeing Through Paintings: Physical Examination in Art Historical Studies (pp.101-210), New Haven and London: Yale University Press.
連結：
Coremans, Paul. (1954). La technique des "Primitifs flamands." III, Van Eyck:"L'Adoration de l'agneau mystique". Studies in Conservation 1(4):145-161.
連結：

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