摘 要 次文化隨著時代的變遷,已逐漸受到重視,在多元文化下,次文化包含的範圍相當廣闊,多半以顛覆傳統、與眾不同的形式表現。次文化早在歐美、日本等地掀起波瀾,帶來了無限商機,也為藝術注入新生命。台灣由於接受各方文化的傳播,以及青少年同儕間的影響,而漸漸掀起了「嘻哈」風潮,甚至政府單位近年來也舉辦了次文化的活動,因此次文化在青少年成長中扮演了重要的角色。 本創作探討次文化的脈絡,藉由青少年與其所交織的互動轉化為平面的表現,透過視覺的刺激,相較於文字的描述更能產生共鳴。國外已有不少的次文化雜誌,使青少年能夠彼此交流,但觀之國內次文化雜誌,少有多面向介紹,導致出版時間不長,鮮少針對次文化的內容、視覺設計做研究。因此,本創作希望透過刊物的創作,對青少年正向且充滿發揮空間的引導,對欣賞次文化有更深層的看法為根基。 本創作對象以青少年為主,刊物的內容以青少年所追求及喜愛的部份為主題,分為嘻哈文化(Hip-hop)中的「塗鴉」、「公仔」、「地下樂團」、及次文化運動「滑板」。在視覺設計與編排的部份,整理出大衛‧卡森(David Carson)的破格設計法則及視覺規劃原則─無秩序、不確定性、扭曲變形、雜訊、媚俗、間斷性、多重性、內在,並歸納出視覺規劃精神原則,分為內在表現─宣洩、狂野、空靈、無厘頭;及視覺表現─底紋、衝突、失焦、紛亂。最後創作出一本經過視覺規劃設計、色彩構成及選定內容,具有獨特精神的青少年次文化刊物─「DEF」。 關鍵字:次文化、編排設計、刊物
Abstract Sub-culture attention has gradually with the changing times. In a multicultural, the sub-culture includes a wide range, most of them express subvert the traditional and distinctive forms. Sub-culture as early as in Europe, the United States and Japan. It brought opportunities, but also poured new life into the art. Taiwan accepted in many ways of culture, and young people influenced to the same generation easily. It brought the "hip-hop" culture, and even government had also been conducted the activities of sub-culture in recent years. So sub-culture in the growth of young people played a important role. This creation is based on the young people and the Xzine’s contents is the teenagers favorite subjects. It differentiate of hip-hop culture in the "graffiti", "figure", "underground band ", and " skateboard". In the visual part of the design and layout, sorted out David Carson’s principles "No Order", "Indeterminacy", "Distorted", "Noise", "Kitsch", "Intermittent", "Multiplicity", "Immanences". And generalized the visual planning principles, it differentiated inherent display and visual display. Finally, a Xzine after creating a visual design, color composition and selection of content, has a unique spirit of the youth sub-culture publications ─ "DEF". Key Words:Sub-Culture, Layout Design, Xzine